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Communiceren in het oog van de storm

Interview met o.a. Menno van Duin. Bij een calamiteit staat de school volkomen onverwacht volop in de belangstelling, zowel bij medewerkers, leerlingen en ouders als in de pers en op sociale media. Daar moet je als school snel en adequaat op reageren. Hoe leid je de in- en externe communicatie in goede banen?

Een perfecte storm : Hoe klimaatverandering in het Nederlandse luchtvaartdebat kwam

Een perfecte storm : Hoe klimaatverandering in het Nederlandse luchtvaartdebat kwam

Mixing realities: reflections on presence and embodiment in intermedial performance design of Blue Hour VR

Created for the 2019 Prague Quadrennial’s 36Q°, Blue Hour VR was a site-responsive mixed reality performative installation that placed the spectator, as experiencer, within a hybrid landscape of real- time three-dimensional computer graphics and 360-degree video. This article describes the design process, staging and experience of Blue Hour VR from the vantage point of its creators. Using a phenomenological perspective, the article discusses how Blue Hour VR staged presence and embodiment within an intermedial haptic experience. Blue Hour VR demonstrates how virtual reality technology can be harnessed by a mixed reality performance design, which includes both the material and virtual environment, creating a complex stratigraphy of intermedial textures and visual dramaturgies that co-exist inside, outside and in between perceptual realities. In doing so, the article aims to contribute to the limited body of work on mixed and virtual reality in the context of theatre and performance design.

Mixing realities: reflections on presence and embodiment in intermedial performance design of Blue Hour VR

Created for the 2019 Prague Quadrennial’s 36Q°, Blue Hour VR was a site-responsive mixed reality performative installation that placed the spectator, as experiencer, within a hybrid landscape of real- time three-dimensional computer graphics and 360-degree video. This article describes the design process, staging and experience of Blue Hour VR from the vantage point of its creators. Using a phenomenological perspective, the article discusses how Blue Hour VR staged presence and embodiment within an intermedial haptic experience. Blue Hour VR demonstrates how virtual reality technology can be harnessed by a mixed reality performance design, which includes both the material and virtual environment, creating a complex stratigraphy of intermedial textures and visual dramaturgies that co-exist inside, outside and in between perceptual realities. In doing so, the article aims to contribute to the limited body of work on mixed and virtual reality in the context of theatre and performance design.

EU Taxonomie

Martien Visser concludeert dat er feitelijk bijzonder weinig reden is veel stampij te maken over de taxonomierichtlijn van de Europese Commissie, omdat die de weg baant naar zeer forse CO2-reducties.