The aim in this artistic research is to dissect the experience of speed in music.
Taking artistic, creative and pedagogic experience as perspectives, the research will consider the embodiment of rhythm and duration as experienced by practicing musicians and utilized by composers, exploring neurophysiological questions such as how temporal resolution relates to human physiology, the relationship between speed and emotion and how musicians keep track of time. The expressive qualities of speed in music will be explored, taking into account practices of performance, composition and notation.
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