In this paper, we share insights from our creative practice-based experimentation with ‘feral’ ways of stimulating eco-social change. Drawing on our experiences with three practice-based research projects – Open Forest, Cyano Automaton, and Open Urban Forest – we discuss how feral ways may foster more-than-human co-creation of knowledge and data, and nurture pluralistic making sense-with other-thanhuman creatures. We first explore the concept of feral in supporting the understanding of how creative eco-social inquiries may evolve beyond the bounds of anthropocentrism, in relation with more-than-human experiences. Through our three cases, we illustrate how experimenting with feralness can bring to the fore issues of power, agency, and control in the currently human-centric discourses around data, technology, and sensemaking in eco-social transformation. By sharing our emerging insights regarding feral ways, our aim is to help nurture critical, more-than-human perspectives in creative practice-based inquiries in art and design.
MULTIFILE
In this paper, we share insights from our creative practice-based experimentation with ‘feral’ ways of stimulating eco-social change. Drawing on our experiences with three practice-based research projects – Open Forest, Cyano Automaton, and Open Urban Forest – we discuss how feral ways may foster more-than-human co-creation of knowledge and data, and nurture pluralistic making sense-with other-thanhuman creatures. We first explore the concept of feral in supporting the understanding of how creative eco-social inquiries may evolve beyond the bounds of anthropocentrism, in relation with more-than-human experiences. Through our three cases, we illustrate how experimenting with feralness can bring to the fore issues of power, agency, and control in the currently human-centric discourses around data, technology, and sensemaking in eco-social transformation. By sharing our emerging insights regarding feral ways, our aim is to help nurture critical, more-than-human perspectives in creative practice-based inquiries in art and design.
MULTIFILE
The installation shows Open Forest Collective’s ongoing investigation of feral ways of knowing, being, and living-with diverse more-than-human ecologies.On display are feral data artifacts such as woven sashes, multispecies tattoos, short dérive films, and an eel trap capturing environmental knowledge and cosmologies of various more-than-human habitats including Colombian chagras, Bohemian forests, Croatian wetlands, and the Gunditjmara Country.
LINK
In dit project zal ArtEZ onder leiding van onderzoeker Pauline van Dongen samenwerken met het Next Nature Network, UNStudio, AMOLF en het Ecomimicry Instituut aan kennisontwikkeling en -deling m.b.t. het potentieel van shape-changing textiles voor de bevordering van duurzaam gedrag en een duurzame omgeving. Shape-changing textiles zijn stoffen die actief van vorm kunnen veranderen in interactie met de drager of de omgeving. Door hun adaptieve, responsieve en interactieve eigenschappen gaan deze stoffen een andere relatie aan met de gebruiker, wat mogelijkheden biedt voor duurzame gedragsverandering. ArtEZ en de consortiumpartners verbinden hun state-of-the-art kennis vanuit ecologisch-, technisch- en designperspectief om door middel van ontwerpend onderzoek nieuwe kennis te ontwikkelen over hoe deze innovatieve materialen kunnen bijdragen aan verduurzaming van gedrag en omgeving. Aan de basis van dit onderzoek ligt een expliciete praktijkvraag van MKB-ondernemingen, die we op basis van een uitgebreid vraagarticulatieproces als volgt geformuleerd hebben: Hoe kunnen shape-changing textiles, ontwikkeld en ontworpen op basis van ecologische principes en processen, een andere relatie tot de drager/gebruiker en zijn/haar omgeving genereren om duurzaamheid te bevorderen? We willen deze hoofdvraag en een aantal deelvragen beantwoorden door in drie werkpakketten met het consortium te inventariseren welke relevante kennis er op dit moment beschikbaar is. Deze kennis zullen we door middel van ontwerpend onderzoek toetsen en verder ontwikkelen, waarna we de opgedane inzichten vervolgens analyseren en duiden om voor de MKB-partners en ons breder netwerk toepasbare kennis te genereren. Concrete voorbeelden hiervan zijn onder andere prototypes die getest kunnen worden met gebruikers (AMOLF en UN Studio) en de basis kunnen vormen voor een samplebibliotheek van shape-changing textiles. Daarnaast ontwikkelen we met Next Nature Network een speculatief toekomstscenario dat gepubliceerd en gedeeld kan worden met een breder publiek.
"Rising Tides, Shifting Imaginaries: Participatory Climate Fiction-Making with Cultural Collections," is an transdisciplinary research project that merges information design, participatory art, and climate imaginaries to address the pressing challenge of climate change, particularly the rising sea levels in the Netherlands. The doctoral research project aims to reimagine human coexistence with water-based ecosystems by exploring and reinterpreting audiovisual collections from various archives and online platforms. Through a creative and speculative approach, it seeks to visualize existing cultural representations of Dutch water-based ecosystems and, with the help of generative AI, develop alternative narratives and imaginaries for future living scenarios. The core methodology involves a transdisciplinary process of climate fiction-making, where narratives from the collections are amplified, countered, or recombined. This process is documented in a structured speculative archive, encompassing feminist data visualizations and illustrated climate fiction stories. The research contributes to the development of Dutch climate scenarios and adaptation strategies, aligning with international efforts like the CrAFt (Creating Actionable Futures) project of the New European Bauhaus program. Two primary objectives guide this research. First, it aims to make future scenarios more relatable by breaking away from traditional risk visualizations. It adopts data feminist principles, giving space to emotions and embodiment in visualization processes and avoiding the presentation of data visualization as neutral and objective. Second, the project seeks to make scenarios more inclusive by incorporating intersectional and more-than-human perspectives, thereby moving beyond techno-optimistic approaches and embracing a holistic and caring speculative approach. Combining cultural collections, digital methodologies, and artistic research, this research fosters imaginative explorations for future living.
